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Can a debtor avoid garnishment by submitting a payment plan in Costa Rica?
In some cases, a debtor can avoid garnishment by submitting a payment plan to the creditor. If the plan is accepted and meets certain legal requirements, the garnishment may be suspended or temporarily stopped. This offers an opportunity for the debtor to regularize his debt gradually. However, the viability of this option will depend on the disposition of the creditor and current legislation.
How is collaboration between non-governmental organizations and the government encouraged in the fight against PEP-related corruption in Ecuador?
Collaboration between non-governmental organizations (NGOs) and the government in the fight against PEP-related corruption in Ecuador is encouraged through the creation of dialogue platforms and joint projects. Tax incentives are provided for donations to NGOs involved in anti-corruption initiatives, and coordination mechanisms are established to share information and resources. This collaboration reinforces efforts to prevent and address corruption, leveraging the expertise and independence of NGOs.
What is the economic situation in El Salvador?
The economic situation in El Salvador varies, with a significant gap between rich and poor and a high level of inequality.
What is the duration of a judge's mandate in Guatemala?
Judges in Guatemala have five-year terms and can be re-elected.
Can an embargo affect third parties in Brazil?
Yes, an embargo in Brazil can affect third parties, especially if they are linked to the debtor or if they own shared assets or accounts. In such cases, third parties may be required to comply with the seizure or to prove legitimate ownership of the disputed property.
What is tequitqui architecture and what are its characteristics
Tequitqui architecture is an architectural style developed during the colonial period in Mexico, which combines pre-Hispanic indigenous elements with European influences. It is characterized by the use of local materials such as stone and adobe, as well as the integration of indigenous ornamental motifs in colonial religious architecture, such as churches and convents.
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